by Catalina Flórez / Documentary / 2012 / 59'/ spanish, english, dutch / Germany

Vivian lives in Holland for many years, she is working as a Fashion-Designer. She designs lingerie and sells it together with her husband Michel in the red light district.
Vivian long-standing relationship to the sex workers allows the filmmaker Catalina Flórez a extraordinary intimate view in the way of thinking and the kind of living of the girls behind the glasspanel.

The Film shows the human side of those women, which are often seen as immoral or pitiful. It tells the story of hunting the short term money, about freedom, fun and love. A life between glass and relationship, inside moral and compulsion, among beauty and age.

Catalina Flórez:“Prostitution is a part of the world existing in even every society, a exchange, every second, everywhere. Money in exchange, to buy dreams, to compensate the emptiness, to satisfy a fantasy or a perversion, to get affection, to collect attention. Women out of every age sell their beauty and their body. Men enjoy the feeling of buying, they need it? I come to know a lot of those women and I wanted to see their work with their eyes and I wanted to understand how it feels. That was the beginning of the film.”

Supported by:

by Catalina Flórez / Documentary / 2012 / 59'/ spanish, english, dutch / Germany

Vivian lives in Holland for many years, she is working as a Fashion-Designer. She designs lingerie and sells it together with her husband Michel in the red light district.
Vivian long-standing relationship to the sex workers allows the filmmaker Catalina Flórez a extraordinary intimate view in the way of thinking and the kind of living of the girls behind the glasspanel.

The Film shows the human side of those women, which are often seen as immoral or pitiful. It tells the story of hunting the short term money, about freedom, fun and love. A life between glass and relationship, inside moral and compulsion, among beauty and age.

Catalina Flórez:“Prostitution is a part of the world existing in even every society, a exchange, every second, everywhere. Money in exchange, to buy dreams, to compensate the emptiness, to satisfy a fantasy or a perversion, to get affection, to collect attention. Women out of every age sell their beauty and their body. Men enjoy the feeling of buying, they need it? I come to know a lot of those women and I wanted to see their work with their eyes and I wanted to understand how it feels. That was the beginning of the film.”

Supported by: